mala_14: (iris)
Got all the fashion fabric whipped to the foundation layer. I also got some hooks and bars sewn on, but after looking at pictures of the real thing I decided I need to move the top one higher. Also, snaps are needed. Expect some pictures soon!

I may also have gone fabric shopping today and picked up some lovely green lightweight silk-cotton blend. I want to over-dye it with some blue so it's more emerald/teal (right now it's very GREEN, like kelly green) and I think it may become an Edwardian 1909 something...
mala_14: (iris)
Just to liven up the ol' LJ, here are some pictures so it's not all text all the time. This is the bodice in progress with the fashion fabric finally (partially) attached.
P1010732
And a detail shot of the fabric so you can see the fuzzy grey pattern that I want to paint gold.
P1010733

Also, here's a picture of the hand-picked zipper I did on the bridesmaid dress. I realized I never posted a pic of this and I'm pretty proud of it. It was probably one of the easiest zipper insertions I've ever done, although it might have been a bit more time-consuming. But you can't argue with the results. The waist seam and the top of the zipper are all lined up and matched. :)
P1010734
mala_14: (iris)
Getting closer to being done on the Tyrell bodice. I sewed in the little darts in the foundation layer. I also covered the bust pads with broadcloth by cutting out more ovals with seam allowances, turning and ironing the seam allowances in, and then blanket stitching the edges over the padding by hand. I wanted to do a zig-zag on the machine, but I didn't make the covers big enough. Then I tacked the padding into the bodice foundation layer. I also cut out the fashion fabric layer. I laid the foundation layer on the fashion fabric (pre-padding) and smoothed out where the dart was as best as I could, then drew the outline using my fabric marker and cut it out with a fairly deep seam allowance. The edges on the fashion fabric layer are all serged and the fashion fabric and foundation are treated as one at the neckline and CB seams.

All that's left now is to whip down the edges of the fashion fabric to the foundation layer and to sew on the hooks and bars. It was fun finally adding some colour to this and not just having the plain white fabric all the time. I gave it a sort of try on and loved wearing the deep turquoise. I think I will need to get some fabric paint (possibly Lumiere in Bright Gold?) and gild the dark grey pattern to make it look more like the screen version.
mala_14: (Margaery)
Bust padding was totally the way to go. Not only do have have some Margaery Tyrell-style cleavage going on (which isn't really that much with this costume, check out some of her other costumes! Whoa!), but I feel way more supported in the bodice. Because there's no back, there isn't much tension holding the front of the bodice to the body. The padding fills out that extra bit of space and no more slipping down! I also tried on the bodice with make-shift straps to simulate having the shoulder pieces sewn in. Everything looks like it's working. The tutorial I used to come up with the bust pads was this one from Sewaholic, but I used a few more layers of (poly) batting (about 8-9 altogether) including some that doubled the largest and second largest ovals.

Next is to cover the bust pads in some cotton broadcloth and sew them in. Then it's cutting down the edges to get just the right lines and sewing in the darts (which I've held off on in case the boning or padding made any difference in their depth or length). Then I'll finally be able to cover them with the fashion fabric!
mala_14: (Margaery)
So here it is, one layer of drill and one layer of broadcloth. There is also a little bit of boning (skinny cable ties) marked out by the erasable fabric marker. The boning on the sides adds a ton of structure and help keeps things stable. The front boning adds a little more oomph (but maybe not quite Margaery Tyrell oomph. Padding?). I may need to cut away a little bit at the neckline. I think the halter is a bit too wide. Other than that, I think it looks pretty close. I really like the back especially.
margaery-tyrell-s3
Margaery-Tyrell
mala_14: (Margaery)
Well I think using my body block/sloper really did have some kind of magic. My mock-up fits pretty close to how I want it to. There are a couple of lines I need to change (raising the bodice under the arm and having it go slightly farther back) as well as a small dart and a couple other very minor changes, but other than that, I'm quite happy with it. I'm planning on following [livejournal.com profile] nuranar's fantastic suggestion to have a dart in the lining, but not in the fashion fabric layer. If I can keep this dart small, I think that should work.

Looking more closely at pictures of the original, I think I will have to add a bit of boning. So instead of 2 layers of drill, which I think will actually end up being too stiff and not good with the dart, I am going to do 1 layer of drill and add 2-3 bones in the front that fan a bit and 1 bone in the side. The shoulder pieces, which connect at the corner under the arm and in front of the arm will also help with support.

In an interview, Natalie Dormer/Margaery Tyrell said, "There’s so much infrastructure in Margaery’s costumes because my breasts don’t naturally sit in that position." Neither do mine, Natalie, neither do mine... So boning it is! ;p
mala_14: (Margaery)
Costumes on Game of Thrones often use the same pattern or are recycled among characters. These two gowns of Margaery's are the same pattern and several of her handmaids wear similar gowns. I think I even spotted Margaery's light blue gown from Season 2 (below left and middle) on one of her handmaids in Season 4. I borrowed the Season 3 DVDs from my boyfriend where the darker gown is shown (below right)

So I'm about to get started patterning out the bodice for my GoT Tyrell gown and have some thoughts on going about this. So, because I love lists, here's one:

  1. Using my body block/sloper. Because I drafted it last year and haven't really used it yet and if it's drafted for my measurements it should be all kinds of magic for making something that fits me (theoretically).

  2. There are no darts and the brocade bodice is all one piece. It goes around the neck and the back is all open to the waist. (A bit scandalous, but not surprising for Margaery.)

  3. I have deduced (by looking very closely and very close-up pictures) that the bodice is cut on the bias with the neckline on-grain ( to stabilize and to prevent gaping). The brocade shows lines that indicate this. Also, there are no darts, but the bodice is really smooth => bias!

  4. There is a lot of support going on. I am going to use 2 layers of drill for a foundation with my embossed damask fabric floating over top of that.

  5. Question: Will I need to bone the bodice? I think not, but I'm thinking of stitching/quilting the 2 drill layers together for added strength.

  6. I'm using hooks and bars for closures. Don't want any wardrobe malfunctions here!

More on this once I have some sort of pattern and a mock-up!
mala_14: (Margaery)
I finished off the bias facing and all that's left is the hem! The dress is now on the dressform so the skirt can hang and do its wonky bias thing. I'll hem it on Monday. Now I can get started on my GoT Tyrell bodice!

A refresher picture of what I'm aiming for:
MargaeryCersei
More thoughts on this tomorrow. :)
mala_14: (iris)
I have a couple of fabrics in the wash to pre-shrink them, notably a quilting print and white cotton drill (for my Margaery bodice). The quilting print is for a bustle pad for the HSF Paisley and Plaid Challenge. It is brown and multicoloured with wide stripes that have a floral stripe running in them and little paisleys in the skinny stripes. I'm making an 1880s bustle pad based on this one in the Victoria and Albert museum. Except, instead of a silk cord holding down the little bustle pad, I'm going to do some stitches on the underside of it tacking it to the larger bustle pad. I think it's cute and it must be way easier than making a bustle with boning and such.
mala_14: (iris)
Ok, so things are busy now. Three of my good friends are getting married (a wedding every 2 weeks from Aug. 23 - Sept. 21) and I am in two of the weddings. This means planning out and executing showers and bachelorette parties and 2 of those are this weekend. I have also been commissioned to make the bouquets for the weddings I am in. Plus, I will be making my bridesmaid dress for the second wedding. In addition to this, I am trying to get thesis research done so that I can write my Master's thesis and graduate in May and I have a part-time job as a research assistant (which is fun and awesome, but still takes up time). I also have regular life stuff to do, like be a normal sociable person and spend time with family, friends, and boyfriend. So what does all this mean?

When it comes to sewing, I have a lot of grand plans. (Don't we all?) But I think that I need to streamline them a bit. While I still want to get my Regency stays finished, there is no way that I will finish them and then get to the next 2 HSF challenge project and sew up a bridesmaid dress. So I am giving myself a pass on the Regency stays. I will work on them when I have time and they will eventually get done. But my next three projects will be (and aren't you getting sick of my sewing plan changes?):

  1. 1880s bustle pad (HSF Plaid and Paisley Challenge): a very simple project that I can complete in a day or two and that I have all the materials for

  2. My bridesmaid dress: something that I HAVE to get done, but since I don't want any extra stress I am changing my design for it. Instead of a bias cut dress (which I would have to pattern from scratch), I am going with an Audrey Hepburn-inspired design with a bateau neckline and slim skirt, (something like this) using a tried-and-true pattern that will take minimal adjustments. Not very exciting, but nobody cares what I look like, I'm just there for pleasant-looking background to the bride right? :)

  3. Margaery bodice (HSF Terminology Pattern): this will be the most labour-intensive because it will involve creating a new pattern and some hand-sewing, but I can use my body block as a starting point and I have all the materials for it

All of these projects are on the smaller side, especially the bustle pad, compared to my other grand plans. But that's a good thing, because it means that they will get done without taking up inordinate amounts of time and I will feel accomplished. Sometimes I really need to have completed projects. Sewing for weeks and not having anything to show for it can get discouraging at times, especially when I feel like so many other things in my life are going the same way. It's just like treading water: tiring and you don't go anywhere, but you have to keep paddling so you don't drown. If all the other things in my life are treading water type things, then I need something that I can get DONE, that I can have finished and put aside and check off a list and point at and say, "Look what I made!" and not have a UFO hanging over me.

Grand plans can wait until after the wedding madness is over. Of course, then it might be thesis madness... ;p Enough rambling for now.
mala_14: (iris)
I managed to find all the fabrics I need for my GoT Tyrell costume. All fabrics were $8/metre except the skirt fabric which was $5. Score! (Of course they're all synthetics, but for a costume like this which won't be super labour intensive and is fantasy I'm totally OK with having fabrics that just look pretty.) I got a blue and taupe damask?brocade?, where the taupe parts are fuzzy and a blue lightweight taffeta to match. I also bought some velveteen, which is sort of a mossy sage colour and will need to be dyed. (That should be interesting and fun. I already have some turquoise dye. Maybe I should get some dye remover too?) Not pictured is the white drill I plan on using as a strength layer for the bodice. (Disclaimer: all the colours are slightly lighter and greener in real life and the damask-y fabric and taffeta are actually a very close match.)

I really wanted a blue and gold brocade, but it was not to be. Maybe I could invest in some gold fabric paint and do a bit of a paint job on the taupe parts...

Miraculously, the store also had some silks. So I got this gold crinkle silk for $12/metre which is much cheaper than I've ever seen silk anywhere here. In real life it is very gold. I thought it'd be great to line the big King's Landing sleeves and for edging and piping.


Not GoT related, I also got some grey drill to make some shorts or capri pants. No pictures because it's not very exciting looking. ;p All in all, a very successful fabric shopping trip!
mala_14: (iris)
I'm going fabric shopping tomorrow morning in hopes of finding some sort of brocade for my Game of Thrones Tyrell costume, plus skirt fabric. I'm trying to think if there will be any other fabric I need in the near future. Whenever I have a fabric shopping excursion I try to plan ahead, but always feel like I'm forgetting something... usually because I forget something. Oh, right, just remembered: I'll need some sort of canvas/twill for the strength layer of the bodice. I could also use some stretch sateen for capri pants and some sort of quilting cotton for a sundress, but that's starting to get into wishlist territory, as opposed to will use in the near future.

Speaking of wishlists and sewing dreams, after seeing all the King's Landing style gowns with embroidery people on my Friends list are making, I totally want one too. Not sure when I'd ever get to it, but it's fun to plan and design. I'd probably come up with a House Mormont design because I like black bears and that's their house sigil. Also, they have really cool female family members who fight and such and have redeemed their family name after it was disgraced by Jorah. I'd want a dark green dress and I'd embroider it like Cersei's aqua gown only with pine branches and bears instead of swirls and birds.

Speaking of green GoT gowns, there aren't any that I can think of in the show, even though some houses have green prominently in their colours (specifically thinking of the Tyrells here). My guess is that it's because they greenscreen things and thus the characters can't wear green. Any other ideas or knowledge?
mala_14: (iris)
Well, this is my second time failing at making the HSF deadline. Life is just too busy right now trying to balance work, research, exercise, and time with friends/family/boyfriend. I try to squeak in some sewing time, but it only manages to happen a couple times a week. However, I don't feel like beating myself up about it because I really have to get things like thesis research done and it involves reading for several hours every day. And all the other things are as important as sewing. I think I just need to figure out a more balanced balance.

Also, even though I am not making the deadlines, I am still finishing the projects, which I think I can still consider productive. I am still averaging at least one project per month which is a huge step up from last year. I'll even get in a couple bonus modern projects, like the tan houndstooth pants I made earlier this year to wear on my trip and still haven't blogged about and the bridesmaid dress I need to make for September. That one will be an interesting project because I want to make a bias dress, so construction will be simple because it'll only be two big pieces, but figuring it out and patterning will be a challenge.

I have the next few HSF challenges figured out and managed to come up with a fast and easy project for the next one. Here's the line-up and status for my next few projects:

  • #12 Shape and Support: Regency stays (These are cut out, but need sewing and the dreaded eyelets.) Due: Today :p

  • #14 Paisley and Plaid: Bustle pad (Getting ahead for next year's sewing. Have some quilting cotton for this that has a little bit of paisley on it. Trying to figure this one out was killing me for a while. I needed something simple because the next HSF project is going to be a big one.) Due: August 1

  • #16 Terminology: Embroidered Regency dress (Have fabric and some idea of patterning out the dress. Hopefully the previous project will go quickly so I can get going on the embroidery of this one, which will be the most time-consuming.) Due: September 1

  • Bias cut bridesmaid dress (Have fabric, which is a taupe polyester crepe, and a design. Need to pattern and sew.) Due: September 6 (the wedding date), but will hopefully have it done before that!

  • #18 Poetry in Motion: No idea! Hopefully something easy and low-labour or maybe something that will help with the next challenge, like a skirt. Due: October 1

  • #20 Alternative Universe: Margaery Tyrell-esqe/Tyrell handmaiden dress (I have nothing for this, following two unsuccessful fabric-shopping excursions. There are two local fabric stores that I have yet to check out however, and one will definitely yield a fabric for the skirt. I have some ideas on patterning this one.) Due: November 1

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